Graphic Classics Volume 10: Horror Classics

  • Available Rights:
    • Print – foreign
    • Digital – worldwide
  • suggested for readers 12 to adult
  • 144 pages
  • Black & White

TERROR & TREPIDATION!

Horror Classics presents stories by eleven of the original creators of the horror genre, including H.P. Lovecraft’s The Thing on the Doorstep, Edgar Allan Poe’s Some Words with a Mummy and W.W. Jacobs’ The Monkey’s Paw. Plus Saki, Jack London, Olive Schreiner, Bret Harte, Howard Garis, Fitz-James O’Brien and Arthur Conan Doyle.

• EDGAR ALLAN POE – Some Words with a Mummy illustrated by Kevin Atkinson
• H. P. LOVECRAFT – The Thing on the Doorstep illustrated by Michael Manning
• W.W. JACOBS – The Monkey’s Paw illustrated by John W. Pierard
• ARTHUR CONAN DOYLE – John Barrington Cowles illustrated by Simon Gane
• JACK LONDON – Keesh, Son of Keesh illustrated by Ryan Inzana
• HOWARD R. GARIS – Professor Jonkin’s Cannibal Plant illustrated by Onsmith Jeremi
• Plus five more thrilling tales, with art by Brandon Ragnar Johnson, Milton Knight, Gabrielle Bell, Nick Miller, Jackie Smith, Mark A. Nelson

“The Graphic Classics series has been improving our cultural literacy by presenting zippy comics-styled renderings of those stories most people read in school, or at least know they should’ve read. The formula works particularly well in this collection of 12 classic horror stories, which includes short works by Edgar Allan Poe, Ambrose Bierce, Jack London and Honoré de Balzac, among others. The book begins with a stylish depiction of Bierce’s mummy as a cool cocktail-lounge character wearing a fez, before settling down to business with a very effective adaptation of Lovecraft’s “The Thing on the Doorstep.” The vivid black inks and woodcut style of illustrator Michael Manning enhance the original tale’s creepiness. Poe’s “Some Words with a Mummy,” by contrast, is drawn in a cartoonish manner, with a touch of humor that suits this feather-light tale that’s far more social commentary than spine tingler. Balzac’s “The Thing at Ghent” is all style, with no words at all; those not already familiar with the work may be left in the dark by artist Mark Dancey’s version. “The Monkey’s Paw,” however, illustrated by John W. Pierard, retains all the eerie detail of W. W. Jacob’s original. Jack London’s “Keesh, Son of Keesh,” drawn by Ryan Inzana, is another moody work, while Bret Harte’s “Selina Sedilia,” admirably adapted by Antonella Caputo and rendered by Nick Miller, is as silly as it should be. Perfect pacing make this another home run from the Graphic Classics team.”
— Publishers Weekly
“An engrossing introduction to the classics of horror for those new to the literary experience, and an exciting fresh take on great stories for those who have read them a hundred times before.”
— James A. Cox, Midwest Book Review

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